***CAUTION: STROBE WARNING***
The audiovisual practice of HDMIRROR is a hard thing to describe, it’s really something you have to experience. If asked, the artist opts for “dysfunctional dance music”, “transformation through overload”, “euphoria simulator”, “neural fireworks” and, perhaps most cryptically, “sabotage and tradition.” Citing key influences as Guy Debord, Jean Baudrillard, Tiësto, Love Island and LSD, HDMIRROR is an ever-evolving site of 21st century iconoclasm, a hard dance glitch in the simulation causing the sounds and images of dance music’s past, present and future to buckle and twist as they are catapulted at frightening speed into the stratosphere.
Yet, in spite of the artist’s “high octane music theory”, HDMIRROR’s off-kilter Music for Accelerationists never regresses into techno-nihilism. Uncontaminated by the digital world, the artist’s disruptive audiovisual broadcasts are precision engineered to wreak havoc IRL, imbued with a purity of spirit and a pranksterish playfulness that seek
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