Nîmihito (Dance) - Sultans of String feat. Northern Cree

Stream here: Come see Walking Through the Fire LIVE in concert! Northern Cree: Sultans of String: More info and pre-order CDs at this site Nîmihito (Dance) is the first single off the upcoming Sultans of String album entitled Walking Through the Fire (Sept 22, 2023 release), the most ambitious and important project of our career, a CD and concert of collaborations with First Nations, Metis, and Inuit artists across Turtle Island Please click here to learn more, including how we are including cultural safeguards in our work on this project: Nîmihito (Dance) is a collaboration between 3x JUNO nominated, 4x CFMA winning Sultans of String and Northern Cree, a nine-time Grammy nominated pow wow and round dance group from Treaty 6 territory in Canada, who have released more than 50 albums over their 40-year history. The video also features dancer Alicia Kewageshig, as well as City Of Prague Philharmonic Orchestra with arrangement by Ben Bolt-Martin! “We are creating this recording in the spirit of the Truth and Reconciliation Commission’s 94 Calls to Action, and Final Report that asks for Indigenous and non-Indigenous people to work together as an opportunity to show a path forward” says Sultans of String bandleader and violinist Chris McKhool, who was recently awarded the Dr. Duke Redbird Lifetime Achievement Award from the JAYU Festival For Human Rights x Arts. Steve Wood from Northern Cree continues: “When you’re collaborating with mainstream music, it shows that we can work together to bring out the very best in who we are as human beings. And that’s what music does. It shows that we can work together and we can bring out something very beautiful. And it’s giving our music an opportunity for a different type of audience out there. There’s a lot of people that are just catching on to our type of music, which has been here since time immemorial. I think it’s great.” The Cree lyrics, written by Leroy Woodstone, talk to the dancer about dancing and dancing hard and feeling the beat of the drum, encouraging the dancer to get down. But there’s also an educational role in the song, says Steve: “A big, strong component of it is to teach our people and other First Nations people about the Cree language. It’s the very tip of who we are and of our ceremonies, pow wow is. It brings other people into our circle.” Studio sessions were spread across two provinces, with Northern Cree parts recorded at StudioBell at The National Music Centre in Calgary, produced by The Halluci Nation (Bear Witness, 2oolman) with recording Engineer Graham Lessard. Sultans of String tracks were recorded at Jukasa Studios, an Indigenous-owned world-class recording facility on the Six Nations reserve south of Hamilton Ontario, with Sultans band members Chris McKhool and Kevin Laliberté co-producing along with Grammy and JUNO winning John ‘Beetle’ Bailey. The two groups met at Kettle and Stony Point’s Annual Pow Wow in the summer of ’22, where Steve shared that “The drum is also a very spiritual tool because when you look at the drum, somebody’s grandparent, mother, father, child gave its life for that head of the drum, because that was an animal, and is very much alive. Now, the rim is made from the tree. And we really look deep, the tree can teach us a lot because they’re alive. They can teach us about the relationships we have with everything around us and everyone else. And that person, those people that came to put that drum together, they had spirits, too. And they put their own spirit in the drum. And that’s where all the energy comes from.” The dancer in the video is Alicia Kewageshig who joined the group at the Kettle and Stony Point Pow Wow. Alicia is Ojibwe/Potawatomi from Stoney Point First Nation & Saugeen First Nation. She is 19 years old and currently a full time student at Western University. Lyrics Nîmîhito Nîmîhito Sâsohkesimow Sâsipwehôpikek ekwa Ônimihitowiniwak Dance Dance Dance hard All start hopping now Dancers “The very fact that you’re doing this tells me that you believe in the validity of our language, you believe in the validity of our art and our music and that you want to help to bring it out. And that’s really what’s important, is for people to have faith that we can do this... That’s really good” - Honourable Murray Sinclair - Ojibwe Elder - former chair of the Truth & Reconciliation Commission Many thanks for the support of non-Indigenous funding streams of the Ontario Arts Council and Canada Council for the Arts for their support of this project.