From its stunning opening sequence, featuring Georgina Hale
(Mahler’s wife Anna) isolated in full mummy wrap and
writhing with erotic yearning to the lush strains of her
husband’s music, Mahler distinguishes itself as the most poetic
and archetypal of Russell’s great-composer works. A cinematic
response to Luchino Visconti’s 1971 adaptation of Death in
Venice,Mahler stars Robert Powell as the great Jewish romantic
composer. Whilst the film is the least ostentatious of Russell’s
movies about music, it is hardly conventional--a mix of lyrical
tableaux and comic fantasy that adds up to a stirring, dreamlike
experience.
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