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“In five centuries of sacred polyphony, Western musical art has accumulated an incalculable series of masterpieces, which the Catholic Church rightly calls “its treasure“, because they were born within its culture, destined for its liturgical activity, imbued with its spirituality.
Furthermore, they are endowed with a characteristic that is authentic art, universality, for which not only are they understood and admired by other cultures as well, but they impose themselves universally as models from which musical art must be inspired and compared if wants to produce other masterpieces.
The musical chapel of the Basilica of St. Mark in Milan offers an anthology of this treasure, which ranges from the pure polyphonies of the fifteenth century to those of absolute perfection of the sixteenth century, to the turgid ones of