King Crimson - Happy With What You Have To Be Happy With

Full Playlist: HAPPY WITH WHAT YOU HAVE TO BE HAPPY WITH And when I have some words This is the way I’ll sing Through a distortion box To make them menacing, yeah Yes, I’m gonna have to write a chorus I’m gonna need to have a chorus And this would seem to be as good as any other place to sing it till I’m blue in the face And for a second verse Of terse economy I’ll brew another pot Of ambiguity, yeah Then I’m gonna have to write a chorus We’re gonna need to have a chorus And this would seem to be as good as any other place to sing it till I’m blue in the face Yes, we’re gonna need to have a chorus I’m gonna have to write a chorus And this would seem to be as good as any other place to sing it till I’m blue in the face Happy with what you have to be happy with You have to be happy with what you have To be happy with what you have Happy with what you have to be happy with You have to be happy with what you have To be happy with what you have You have to be happy with what you have to happy with Then I guess I’ll repeat the chorus We’re gonna repeat the chorus I guess I’ll repeat the chorus We’re gonna repeat the chorus Then I guess I’ll repeat the chorus We’re gonna repeat the chorus I guess I’ll repeat the chorus We’re gonna repeat the chorus Happy with what you have to be happy with You have to be happy with what you have To be happy with what you have Happy with what you have to be happy with You have to be happy with what you have To be happy with what you have You have to be happy with what you have to happy with - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Robert Fripp: Guitar Adrian Belew: Guitar and Vocals Trey Gunn: Warr guitar, fretless Warr guitar Pat Mastelotto: Traps and Buttons Music by King Crimson, Words by Adrian Belew. Recorded & Engineered by Machine at The Tracking Room, Studio Belew and Pat’s Garage. Additional engineering: Jeff Juliano Additional programming: Machine Mixed by Machine, at the Mixing Room, Nashville; remixing at The Shop, Hoboken, NJ. Produced by King Crimson & Machine. Haiku Voice recorded at Studio Belew by Ken Latchney. Voice source on Elektrik: Tim Faulkner. “The Power To Believe: Coda” produced by The Vicar and Robert Fripp. Soundscape recorded in live performance at Newlyn Church, Cornwall, on December 7, 1997. Tone Probe production mastering (compilation, sequencing, editing) by David Singleton & Robert Fripp at DGM SoundWorld on behalf of King Crimson. Cover artwork from a painting by . Photograph by Paul Brown. Package Art & Design by Hugh O’Donnell. Robert Fripp plays Fernandes and 48th Street Guitars. Trey Gunn’s touch guitars are made exclusively by Mark Warr of Warr Guitars. Trey’s rack was built by Matt Hill of Smallmaker Music. And thanks to: Paiste, M-Audio, Drum Workshop, Vic Firth, Evans, Bill Saragosa, PDV, Jeff Kazen, Bill Munyon for additional sound design, Thunderbird, Drum Paradise, Jeff Duke, Con Noe, Ed Renolds, Jeff Ocheltree, Euphonic Audio, Line 6, SWR, Raven Labs, Charlie Hewitt, Adrian Molloy and Martha Belew. King Crimson is managed worldwide by Discipline Global Mobile Ltd. #KingCrimson #RobertFripp