Art as Activism | Episode 5 | Harlem Is Everywhere

What was the political legacy of the Harlem Renaissance? In the final episode, we’ll explore the lasting impact of the art and organizing that happened during the 1920s and ’30s and how it paved the way for the civil rights movement. We’ll highlight some key political events of the time and explore the work of artists such as Romare Bearden and Augusta Savage. We’ll also touch upon what it means for The Met to tell this story in 2024, more than fifty years after its controversial exhibition “Harlem on My Mind.” Learn more about the exhibition at Objects featured in this episode: Romare Bearden, The Block, 1971: Augusta Savage, Lift Every Voice and Sing (The Harp), 1939: Guests: Mary Schmidt Campbell, curator, writer, historian and former president of Spelman college Jordan Casteel, artist Denise Murell, curator of the exhibition The Harlem Renaissance and Transatlantic Modernism Bridget R. Cooks, Chancellor’s Fellow and professor of art history and African American studies at the University of California, Irvine Original poem: Major Jackson’s “The Block (for Romie)” For a transcript of this episode, visit: #HarlemIsEverywhere Harlem Is Everywhere is produced by The Metropolitan Museum of Art in collaboration with Audacy’s Pineapple Street Studios. Subscribe to Harlem Is Everywhere wherever you listen to podcasts. Apple Podcasts: Spotify: Google Podcasts: Amazon Music: Subscribe for new content from The Met: #TheMet #Art #TheMetropolitanMuseumofArt #Museum #HarlemIsEverywhere #HarlemRenaissance #podcast © 2024 The Metropolitan Museum of Art