28th Episode of Cartel Podcast with Hypnoskull
June 2022 marked the exact 30th anniversary of German/Belgian Patrick Stevens (°1973) project hypnoskull which was started in 1992, rooted in the aftermath of the first wave of industrial music but as well in the humid warehouses of the early techno scene of the nineties and the underground stages of harsh noise. One of the pioneers to combine industrial music with techno resulting in legendary releases on the German cult-label ant-zen, numerous live performances all over the globe in iconic clubs like CBGB’s New York, Rex Paris, KitKat Berlin and cities like Moscow, Beirut, Los Angeles, Chicago and so on, this one-man project, sometimes expanded with artists and performers from contemporary dance, theatre and film, is as unpredictable as the ideology behind it: a lo-fi, harsh, monotone assault of political thoughts, subversive rants and sheer emotional outbursts towards a society first questioned, deconstructed, destroyed and left behind without a solution or a better plan. Music as a weapon and as well as a tool for self-dissection. In recent years, hypnoskull got acknowledged by lots of producers and artists in the field of industrial techno, resulting in releases, collaborations, remix work and production for many of the big players in this genre.
SPECIFIC INFO ON THE PODCAST FOR CARTEL, LATE AUGUST 2022
For this podcast, hypnoskull selected a number of brandnew tracks and releases as well as some forgotten old gems. Crossing every possible border of whatever written and unwritten rules of whatsoever ‘scene’ or subculture, this mix fiercely shows what it is still about for Patrick Stevens, after 30 years of producing, playing live and deejaying, as he states himself: ‘I get claustrophobic when I witness how the techno scene became lately. Techno became the soundtrack provided by good looking boys and girls who strive to make their business plans come true, in clubs that degraded themselves from laboratories to corporate boxes of emptiness. That’s why I selected both some radical memories from tracks and styles which were once as well played in the clubs, and some brilliant music by new, young and emerging producers. Belgium is as well coming back from a low, especially in the city of Brussels, where plenty of astonishing producers be them Belgians or expats gather and create a new wave of exciting electronic music as we speak. That was a long time ago. They’re in here as well by the likes of Maltash, Elaina Vierce and Raum. And Paris as well, check Age of hate, ZNZL, Prophän,… There’s a great connection between both cities also. I truly believe great stuff will happen again very soon.’
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1 year ago 00:49:04 2
hypnoskull (live paris) at HYPERBOUM VOL.2 X INTERVISION, petit bain ()