Bach - Brandenburg Concertos | Orchestra da Camera del Conservatorio di Mantova
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Johann Sebastian Bach
Brandenburg Concertos
Orchestra da Camera del Conservatorio di Mantova
Conductor: Luca Bertazzi
Brandenburg Concerto No. 1 in F Major, BWV 1046:
0:00:00 I. Allegro
0:03:47 II. Adagio
0:07:31 III. Allegro
0:11:34 IV. Menuetto
Brandenburg Concerto No. 2 in F Major, BWV 1047:
0:17:57 I. Allegro
0:22:42 II. Andante
0:25:31 III. Allegro assai
Brandenburg Concerto No. 3 in G Major, BWV 1048:
0:28:14 I. Allegro
0:34:24 II. Adagio - Allegro
Brandenburg Concerto No. 4 in G Major, BWV 1049:
0:40:40 I. Allegro
0:47:37 II. Andante
0:51:22 III. Presto
Brandenburg Concerto No. 5 in D Major, BWV 1050:
0:56:04 I. Allegro
1:06:01 II. Affettuoso
1:11:21 III. Allegro
Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051:
1:16:58 I. Allegro
1:23:31 II. Adagio, ma non tanto
1:28:31 III. Allegro
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The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). The original French title is Six Concerts Avec plusieurs instruments, meaning “Six Concertos for several instruments“. Some of the pieces feature several solo instruments in combination. They are widely regarded as some of the greatest orchestral compositions of the Baroque era.
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician, Johann Ambrosius, in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723, he was employed as Thomaskantor (cantor at St Thomas’s) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university’s student ensemble Collegium Musicum. From 1726, he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III of Poland, in 1736. In the last decades of his life, he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.
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