Magnificent Counterpoint in the Finale of Mozart’s Jupiter Symphony

Please support this channel on Patreon: Richard Atkinson analyzes the magnificent counterpoint in the finale of Mozart’s Jupiter Symphony, no. 41 in C major, K. 551, culminating in the coda, during which 5 of the previously introduced themes are combined at once, in five-part invertible counterpoint. This is a fair use educational commentary that uses excerpts from a recording by the Academy of St. Martin in the Fields, directed by Sir Neville Marriner. 00:00 - Exposition section 06:46 - Development section 09:12 - Recapitulation section 11:54 - Coda section (with 5-part invertible counterpoint)