PĒTERIS VASKS - Concerto for Viola and String Orchestra
Most people today no longer possess beliefs, love and ideals. The spiritual dimension has been lost. My intention is to provide food for the soul and this is what I preach in my works. [Pēteris Vasks]
The music of Pēteris Vasks is rooted in his own and fellow Latvians’ suffering under successive external oppressors. Glowingly dark-hued and intensely emotional, it’s a cry of resistance against all forces undermining what he’s described as the ‘spiritual dimension’, embracing ‘beliefs, love and ideals’ and the beauty of nature.
This searing release confirms Vasks’s international stature and, specifically, his affinity for string writing in two works: from 1991 – when Latvia gained independence from the disintegrating USSR – and 2015, a time of renewed challenge and uncertainty.
The latter Concerto for Viola and String Orchestra was composed for soloist/conductor Maxim Rysanov who with the exceptional Sinfonietta Rīga wrings every drop of melancholic yearning from lines of increasing, melody-driven passion. Tonal with chromatic-modal touches – think Gorécki, Shostakovich, even Vaughan Williams – the idiom is nonetheless indubitably Vasks’s and typical in contrasting slow-moving harmonies with dancing Baltic rhythms. []
0:00 I. Andante
8:07 II. Allegro moderato
15:22 III. Andante
26:08 IV. Adagio
Artwork Used: 朝と夜の扉 by monono
Violist: Maxim Rysanov
Orchestra: Sinfonietta Rīga
Composer: Pēteris Vasks
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