Debussy - La fille aux cheveux de lin, Sonate flute alto harpe, Danses sacrée profane, Lily Laskine
Claude Debussy (1862-1918) & Gabriel Pierné (1863-1937) Works for Harp.
*Click to activate the English subtitles for the presentation* (00:00-03:22)
Claude Debussy
00:00 La fille aux cheveux de lin (The Girl with the Flaxen Hair)
02:05 Valse romantique
Danse sacrée et profane pour Harpe et orchestre à cordes / 1962
06:01 I. Danse sacrée
10:26 II. Danse profane
Orchestre de Chambre Jean-François Paillard
Conductor : Jean-Pierre Rampal
Gabriel Pierné
Concertstück pour Harpe et orchestre / 1967
14:55 I. Allegro moderato
21:15 II. Andante
24:21 III. Allegretto Scherzando
30:25 Impromptu-Caprice Op.9
Orchestre National de l’.
Conductor : Jean Martinon
Claude Debussy
Sonate pour Flûte, Alto et Harpe / 1974
35:48 I. Pastorale: Lento, dolce rubato
43:04 II. Interlude: Tempo di minuetto
49:14 III. Final: Allegro moderato ma risoluto
Flute : Michel Debost / Viola : Yehudi Menuhin
Gabriel Pierné
53:58 Variations libres et final ..
.. pour flûte, violon, alto, violoncelle et harpe / 1974
Flute : Alain Marion / Clarinet : Jacques Lancelot
Quatuor Via Nova
Claude Debussy
Danse sacrée et profane pour Harpe et orchestre à cordes / 1968-69
1:04:58 I. Danse sacrée
1:09:29 II. Danse profane
Orchestre de Chambre Jean-François Paillard
Conductor : Jean-Pierre Rampal
Sonate pour Flûte, Alto et Harpe / 1938
1:14:22 I. Pastorale: Lento, dolce rubato
1:21:44 II. Interlude: Tempo di minuetto
1:27:14 III. Final: Allegro moderato ma risoluto
Flute : Marcel Moyse / Viola : Alice Merckel
Gabriel Pierné
1:31:39 Impromptu-Caprice Op.9 / 1938
1:36:11 Concertstück pour Harpe et orchestre / 1935
Orchestre des Concerts Pasdeloup
Conductor : Pierre Coppola
Bonus:
1:49:02 Paul Bernard ’Ça fait peur aux oiseaux’ / 1933
1:51:10 Anon ‘Mon père veut me marier.. Je saute, je danse’ / 1933
Soprano: Mary Marquet
Harpe : Lily Laskine
Recorded in 1933-74
New mastering in 2021 by AB for CMRR
🔊Find CMRR’s recordings on Spotify :
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She was nicknamed the “Great Lady of the Harp“ because Lily Laskine truly dominated the life of this instrument for over three-quarters of a century. Lily Laskine did not confine herself to her role as an orchestral instrumentalist, but began a career as a soloist, in recital, concerto and chamber music.
She thus aroused a new interest in the harp and brought back to life a part of the then forgotten repertoire. The harp owes it to her to have regained its letters of nobility, to have emerged from the role of salon instrument in which it had remained confined in the 19th century to become a solo instrument in its own right.
We have added to Debussy’s music the beautiful orchestration of Gabriel Pierné, a forgotten composer. Enjoy!
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