This is a short video showing the transformation of BPM. The mistake that everyone makes is that they think that the Extratone starts at 1000 BPM. Instead it’s wrong, the real Extratone starts from 3600 BPM.
More detailed explanation:
In the musical field there are different speeds. Largo 40-60 bpm, Larghetto 60-66 bpm, Adagio 66-76 bpm, Andante 76-108 bpm, Moderate 108-120 bpm, Allegro 120-168 bpm, Presto 168-200 bpm, Prestissimo 200-208 bpm. In reality, there are genres really Underground or Outsider that exceed the maximum normal speed, for example, subgenre of the hardcore: Terrorcore, goes from 190 to 250 BPM. When it comes to Speedcore we find: 250-600 Bpm, really extreme speed to be rhythmic and orderly. But the subgenres of extreme speed continue. The Splittercore goes from 600 to 1000 Bpm, this speed reminds of “shooters“, in reality you have to train your ear to feel the extreme rhythm. The Suizidcore, a (anti) musical genre from 1000 to 3600 BPM, the resulting fast sound is a “DRRR“ that very much resembles a “meat grinder“. Now comes the most salient part, Extratone: once it reaches 3600 BPM, the beats “die“, in the sense that you hear a single tone, no longer a sequence of beats, the speed is so high that you no longer hear the so-called “empty spaces“ in the beats. The Extratone goes from 3,600 to 15,000 BPM. But the limits have been exceeded, Supertone is known (Deep Web) as the fastest final genre in the world. 15000 - BPM,. The sound becomes a “beep“ and it is extremely difficult to create an “ordered“ track. There is a myth that 1,200,000 BPM is the absolute limit of BPM, because BPM with this extreme speed becomes frequencies. 1,200,000 is the arrival of 20,000 HZ, the audible human limit, because it becomes an ultrasound and therefore there is an ultrasound silence. In reality, there is the true final genre, which is capable of overcoming the limit. It’s called: Hypertone: 1,200,000 - ∞ Bpm. Hypertone has been able to reach billions, quintillions and numbers that are larger than the entire universe. To make such a fast tone audible again, there are two musically scientific techniques: “Amplification“ or “Speed up on oneself“. Amplification consists in resuscitating the silenced sound by increasing the volume. It is the craziest and most difficult technique. The second method consists in creating a long loop and speeding it up on itself for thousands of times, and it is the most effective technique.
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D.F.
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