Johann Baptist Gänsbacher (1778-1844) - Requiem in Es (1811)

★ Follow music ► Composer: Johann Baptist Gänsbacher (1778-1844) Work: Requiem in Es Nro. I (1811) Performers: Maria ErIachеr (soprano); Monika Duringеr (alt); Johannеs PuchIеitnеr (tenor); RaIf Ernst (bass); Chor und Orchester des Akadеmischеn Musikvеrеins für Tіrol; Jοsеf Wеtzingеr (conductor) Requiem in Es (1811) 1. Requiem aeternam 0:00 2. Dies Irae 7:34 3. Domine Jesu Christe 15:56 4. Sanctus 21:26 5. Benedictus 24:29 6. Agnus Dei 28:17 Painting: Karl von Blaas (1815-1894) - The Miraculous Translation of the Body of Saint Catherine of Alexandria to Sinai HD image: Painting: Franz Anton Stecher (1814-1853) - Der Komponist Johann Baptist Gänsbacher (1778-1844) und seine Familie () HD image: Further info: Listen free: --- Johann (Baptist Peter Joseph) Gänsbacher [Gaensbacher, Gensbacher] (Sterzing, [now Vipiteno], 8 May 1778 - Vienna, 13 July 1844) Austrian composer and conductor. Son of Johann Gänsbacher (1751-1806), he studied music as a choirboy in Sterzing, Innsbruck, Hall and Bolzano. He also had lessons in piano, organ, violin, cello and thoroughbass. In 1795 he went to the university at Innsbruck and studied first philosophy, then law, supporting himself by giving music lessons, playing the organ, singing in church choirs and playing in the theatre orchestra. His first compositions date from this period. While at university he took part in four campaigns against Napoleon. In 1801 he went to Vienna to continue his musical studies, and was relieved of financial worries when Count Firmian, who further promoted his career as a musician, took him into his family as a son in about 1803. In Vienna he had lessons from the Abbé Vogler (1803-04) and from Johann Georg Albrechtsberger (1806). A Mass in C, composed through the offices of Vogler for Nikolaus Esterhazy in 1806, established his reputation as a composer. Nevertheless, he returned to Vogler in Darmstadt for a short period in 1810, where his fellow-pupils and friends included Weber and Meyerbeer, who admitted him as a founder-member of the ‘Harmonische Verein’, for which he was active until 1813. In January 1813 he met Weber in Prague and recommended him for the post of Kapellmeister of the theatre. In the summer of the same year Gänsbacher returned to the Tyrol to join the fighting to liberate the province from the Bavarian occupation. After the end of the war he did not return to the Firmian family but joined the army as a first lieutenant (1814). He was stationed first in Italian garrisons, in Trient, Mantua and Padua then at Innsbruck in 1815, where he again tried to gain a foothold as a musician. He worked as a conductor and director of a church choir, and helped to found the Musikverein, though he did not gain the position of chief conductor. He did not accept the post of director of music in Dresden, offered him at the instigation of Weber in 1823, since (after representations against the election of Joseph Weigl), he was appointed Kapellmeister of the Stephansdom in Vienna as successor to Josef Preindl in September 1824. One of the choristers was his nephew Anton Mitterwurzer (1818-1876), later famous as an opera singer. As a composer, he mainly focused on church music but he also left a symphony, a clarinet concerto as well as several chamber works and secular songs and cantatas. He was one of the foremost composers in Vienna.