Claude Debussy : Feux d’artifice (Anastasia Huppmann)
Claude Debussy : Feux d’artifice
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Debussy’s cycle of twenty-four preludes for piano at the end of his career (1910-1913) essentially completed the development of the genre in Western European music, the most significant phenomenon of which were the preludes by Bach and Chopin. Debussy´s 24 preludes for piano occupy a special place in the composer’s oeuvre. Rich in expression, varied in difficulty, these preludes sum up a style that revolutionised the musical language of the whole XXth century and represent a new writing style that ended III centuries of functional harmony.
Each prelude has a programme title, stated only at the end of the piece.“To name an object is to kill th
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