At the Imperial Court of Maximilian I

Works from the Repertoire of the Imperial Chapelle 00:00 Imperii proceres (Heinrich Isaac, c1450-1517) Pardessus de viole Renaissance recorder in c“, tenor viol Renaissance recorder in f’ alto trombone, tenor fiddle tenor trombone, bass fiddle bass trombone 05:10 Carmen in Fa (Isaac) Pardessus de viole Renaissance recorder in c“, tenor fiddle, tenor viol tenor trombone, bass fiddle 06:25 Fortuna in Mi (Isaac) positive organ 09:03 An buos (Isaac) Pardessus de viole Renaissance recorder in c”, tenor fiddle alto trombone, tenor viol tenor trombone, bass fiddle bass trombone, timbrel 10:01 La morra (Isaac) Renaissance recorder in c“, Renaissance recorder in f’, tenor fiddle 11:25 I(nn)sbruck, ich muss dich lassen (Isaac) Pardessus de viole, tenor viol, tenor fiddle, bass fiddle 14:41 A la bataglia (Isaac) tenor fiddle Renaissance recorder in g’ and c’, tenor viol alto trombone Renaissance recorder in f’, viola tenor trombone, bass fiddle bass trombone, timbrel, drum 18:38 J’ay pris amours (Isaac) Pardessus de viole, tenor fiddle, tenor viol tenor trombone, bass fiddle 20:27 Sancti Spiritus assit nobis gratia (Isaac) Pardessus de viole Renaissance recorder in c” or c’, tenor viol Renaissance recorder in f’ alto trombone, tenor fiddle tenor trombone, bass fiddle bass trombone 23:20 Tandernac (Antoine Brumel, c1460-c1520) tenor fiddle, tenor viol Renaissance recorder in c“ tenor trombone, bass fiddle, timbrel 25:22 Noe noe (Brumel) Pardessus de viole, tenor fiddle, tenor viol, bass fiddle 26:39 En l’ombre du busonet (anonymous) Pardessus de viole Renaissance recorder in c“ alto trombone, tenor fiddle tenor trombone, bass fiddle bass trombone, timbrel 28:19 Coment peult (Josquin Desprez, c1450-1521) Pardessus de viole Renaissance recorder in g’, tenor viol tenor trombone, tenor fiddle, bass fiddle 29:54 Fors seulement (Pierre de la Rue, c1452-1518) Pardessus de viole, tenor fiddle, tenor viol, bass fiddle 32:04 Carmen in La (Ludwig Senfl, c1486-c1543) Pardessus de viole, tenor fiddle, tenor viol, tenor trombone, bass fiddle 33:06 Carmen in Re (Senfl) Pardessus de viole, Renaissance recorder in c“, tenor fiddle, tenor viol, Renaissance recorder in f’, bass fiddle 34:13 Nasci, pati, mori (Senfl) Pardessus de viole, Renaissance recorder in f’, tenor viol, Renaissance recorder in c’, tenor trombone, bass fiddle 35:54 Quis dabit oculis nostris (attr. Senfl) Pardessus de viole, Renaissance recorder in c’, tenor viol alto trombone, tenor fiddle tenor trombone, bass fiddle bass trombone 40:55 Tandernaken (Paul Hofhaimer, 1459-1537) positive organ, regal 44:14 Naves pont (anonymous) Pardessus de viole Renaissance recorder in c“, tenor viol, tenor trombone, bass viol, bass fiddle, timbrel 45:19 Vavil ment (Jacob Obrecht, 1458-1505) Pardessus de viole Renaissance recorder in c”, tenor fiddle Renaissance recorder in f’, tenor viol tenor trombone, bass fiddle bass trombone 47:27 Carmen ¨Hercules¨ (anonymous) Pardessus de viole Renaissance recorder in c“, tenor viol, tenor fiddle tenor trombone, bass fiddle 48:47 Si je perdu (anonymous) Pardessus de viole Renaissance recorder in c“, tenor fiddle alto trombone, tenor viol tenor trombone, bass fiddle bass trombone, timbrel Wiener Sängerknaben and Chorus Viennensis - Uwe Mund, conductor Concentus musicus, Vienna - Nikolaus Harnoncourt, direction Instrumental-Ensemble (names of artists and instruments): Alice Harnoncourt, Pardessus de viole (Ludovicus Guersan, Paris 1742); viol (Matthias Thier, Vienna 1806) and regal (Johannes Koch, Kassel 1962; reconstruction according to Michael Praetorius: Syntagma musicum, Wolfenbüttel 1615—1620) Kurt Theiner, tenor viol (Marcellus Hollmayr, Vienna XVII century) Nikolaus Harnoncourt, tenor fiddle (North Italy about 1550) and bass viol (Jacob Precheisen, Vienna 1670) Hermann Hobarth, bass fiddle (Stefanus de Fantis, North Italy 1558) Jürg Schaeftlein, Renaissance recorder in c’, g’ and c“ (Martin Skowroneck, Bremen 1960; constructed according to genuine instruments of the 16th century at the Kunsthistorisches Museum, Vienna) Leopold Stastny, Renaissance recorder in f’ (Martin Skowroneck, Bremen 1960; constructed according to genuine instruments of the 16th century at the Kunsthistorisches Museum, Vienna) and percussion Josef Rohm, alto trombone (Anton Cizek, Vienna 1941; constructed according to genuine instruments by M. Leichamschneider, Vienna about 1720) Hans Pottler, tenor trombone (Friedrich Ehe, Niirnberg about 1700) Andreas Wenth, bass trombone (mid-19th century; constructed according to M. Leichamschneider, Vienna about 1720) Georg Fischer, positive organ (Bernhard “Father” Smith, Great Britain about 1670) Recording: Vienna, 4/29 — 5/4/1963 Art: detail of Maximilian I hearing Mass (c1515), by Hans Weiditz II (c1495-c1537)