VINCENT GALLO VERSUS THE CRITICS

In 1998, Sky Television began to broadcast a weekly film programme called Movietalk, presented by Richard Jobson, former lead singer of The Skids (and now a writer-director in his own right). The format was like a chat-show, in which Jobson talked to invited guests -- film writers, distributors and at least one well-known name from the movie world. We were sat in a circle and encouraged to lob comments into the fray. Anne Billson ’’Making up things on the spot has never been my forte, but I did OK on the first show, about blockbusters, and was invited along a couple of times after that. The best and most memorable show was this one about Film Criticism, because it assembled three very different kinds of film writer -- the late Alexander Walker of the Evening Standard, Jonathan Romney, then of the Guardian, and myself, then film critic of the Sunday Telegraph, and confronted them with actor and film-maker, sorry, all-round genius and Renaissance Man, Vincent Gallo, whose Buffalo ’66 had just been released. I