The giant tap-dancing noses scene from Shostakovich’s The Nose (The Royal Opera)

Shostakovich’s surreal and brilliant first opera tells the story of a man who wakes one morning to find that his nose has gone missing Find out more at Shostakovich was only 20 when he began writing The Nose, his operatic debut. He turned to a tiny short story by Gogol: an absurdist satire, where a civil servant’s errant nose launches its owner on a ludicrous battle against both nose and the authorities, as bureaucratic processes break down in the face of so unusual a problem. Gogol’s surrealist fable fired Shostakovich’s imagination, and he responded with a work of exuberant energy, full of musical jokes and grotesque parody – from the famed Act I entr’acte for percussion ensemble to plaintive laments, careening counterpoint, folksong (accompanied by balalaika) and rambunctious polkas. Shostakovich finished the work in about a year, and in the following months gave successful performances of extracts from the opera. But it was to be another two years, in 1930, before The Nose