56. How to use Dance and Movement in Magic - Alkistis Dimech of Scarlet Imprint (Part 1 of 2)

Talking with Alkistis Dimech of Scarlet Imprint about the importance of body movement in magic **Topics** - Alkistis’ dance background - How her childhood feelings of alienation have fueled her dance - How she got into the London occult scene - Male vs. female relationship to space - Dance as ritual magic - Putting body and occult together - What is the occulted body? - Holding trauma in the body vs. transmuting it - Using dance to heal - Techniques to unblock for magic - How a person disconnected from body can move back into the body - Young feminist witches - Magic can be nurturing **Watch the whole performance of “The decollation of flowers“** En Chair et en Son | Italia 2017 - Michel Titin-Schnaider \ Alkistis Dimech // LET’S BE FRIENDS Instagram: TikTok: @chaweonkoo Spotify (audio only): Facebook: **Get in touch with Alkistis** **Videos** Antonin Artaud: Practical Approaches to a Theatre of Cruelty (Preview) Kanze Noh Theatre: Lion Dance from “Shakkyo” 歌舞伎 KABUKI　The Classic Theatre of Japan Produced by Koga Production Balinese Legong Dance - Ubud, Bali Kazuo Ono - The Dead Sea TEDxHamburg - Minako Seki - Performance: Butoh Dance A Vessel of Ruins 工藤 丈輝: 荒漠器 Taketeru Kudo at TEDxTokyo Taketeru Kudo **Intro Music** **End song** Dia Luna and @dialunamusic