方羽 & The Travellers - 重溫詹夢 (Black Magic Woman - Fleetwood Mac Cover, in Chinese)

From ’’ Black Magic Woman ’’ Label: Sina – HB 242 Format: Vinyl, 7“, 45 RPM, EP Country: Singapore Released: 1971 Tracklist A1 重溫詹夢 Black Magic Woman A2 蝶影情深 Butterfly B1 愛情妲亦向朿流 B2 絲笑意 . Sung in Chinese/Mandarin ------------------------ (I’m re-uploading a few videos in better quality. This one was uploaded originally on Jun 24, 2014 - 3,010 views) ------------------------ “Black Magic Woman“ is a song written by Peter Green that first appeared as a Fleetwood Mac single in various countries in 1968, subsequently appearing on the 1969 Fleetwood Mac compilation albums English Rose (US) and The Pious Bird of Good Omen (UK), as well as Vintage Years. In 1970, it became a classic hit by Santana, as sung by Gregg Rolie, reaching No. 4 in the U.S. and Canadian charts, after appearing on their Abraxas album, becoming more closely associated with Santana than Fleetwood Mac. In 2005 the song was covered by ex-Thin Lizzy guitarist Snowy White on his album The Way It Is. In 1996, the song was also covered by Gary Hoey on his album Bug Alley. The 1’ 49’’ instrumental at the end is called “Gypsy Queen,“ and was written by Hungarian Jazz guitarist Gabor Szabo. It was omitted from 1974’s Santana’s Greatest Hits album, even though radio stations usually play “Black Magic Woman“ and “Gypsy Queen“ as one song. Fleetwood Mac version Although not as popular as Santana’s arrangement two years later, “Black Magic Woman“ nevertheless became a fairly popular blues-rock hit peaking at No. 37 in the UK Singles Chart. It was featured in Fleetwood Mac live set-lists even after Green had left the band, when it was often sung by Danny Kirwan, and during concerts in the early 1970s it would form the basis for long mid-concert jams. The song would often be preceded by a band member reminding the audience that it was a Fleetwood Mac song before it became such a big hit for Santana. Structure Set in the key of D minor, the verse follows a twelve bar chord progression alternating between D minor7, A minor7, and G minor7, and the instrumentation consists of vocals, two guitars, bass guitar and drums. It is homophonic, the voice and lead guitar taking the lead roles. The song is set in common time (4/4), with the rhythm “pushing“ on the upbeat, then breaking into a shuffle beat root -chord jam after the final verse. D minor 7 | D minor 7 | A minor 7 | A minor 7 | D minor 7 | D minor 7 | G minor 7 | G minor 7 | Dm 7 - C 7 | Bb 7 - A 7 | D minor 7 | D minor 7 The original recording by Peter Green’s Fleetwood Mac featured guitars that were slightly below standard pitch, probably due to them being tuned to a piano or another guitar in the recording studio (very much reminiscent of The Rolling Stones). For most performances, it is played in standard, although to create a performance faithful to the original recording, the low E string is advised to be tuned down to D. The haunting D minor triad from the 17 fret is played out on one guitar, and a slide guitar playing the same chord is faded in over the top. Santana version Background Santana’s version, recorded in 1970, is a medley with Gábor Szabó’s 1966 “Gypsy Queen“, a mix of jazz, Hungarian folk and Latin rhythms. The song became one of Santana’s staples and one of their biggest hits, with the single reaching #4 on the Billboard Hot 100 in January 1971. Abraxas reached #1 on the charts and hit quadruple platinum in 1986, partially thanks to “Black Magic Woman.“ Structure While the song follows the same general structure of Peter Green’s version, also set in common time, in D minor and using the same melody and lyrics, it is considerably different, with a slightly altered chord pattern (Dm7-- Am7--Dm7--Gm7--Dm7--Am7--Dm7), occasionally mixing between the Dorian and Aeolian modes, especially in the song’s intro. A curious blend of blues, rock, jazz, 3/2 afro-Cuban son clave, and “Latin“ polyrhythms, Santana’s arrangement added conga, timbales and other percussion, in addition to organ and piano, to make complex polyrhythms that give the song a “voodoo“ feel distinct from the original. The introduction of the song, which was adapted from Szabó’s “Gypsy Queen“, consists of simple hammer-ons, pull-offs and slides on the guitar and bass, before moving into the introductory guitar solo of “Black Magic Woman.“ After the introductory solo, which follows the same chord progression as the verse, the song moves into an eight-bar piano solo on D minor, and proceeds to two verses sung by keyboardist Gregg Rolie. Two verses of guitar solo follow the two sung verses, which are then succeeded by another verse, before moving into a modified version of the “Gypsy Queen“ section from the beginning of the song to end the piece. Rolie also performs a solo on the Hammond B3 Organ in the middle of the song.