Sony a7S II vs a7S 4K high ISO noise tests graded with Filmconvert

At the recent Sony event I attended in Germany Newsshooter compared the a7S II and original a7S cameras side by side in a relatively controlled environment with a model. Both cameras were set in tungsten white balance, S-Log 2, S-Gamut and set to record 4K ProRes HQ externally to an Atomos Ninja Assassin for optimal image quality. The lens was a brand new Canon-fit Zeiss Milvus 50mm mounted on a Metabones MkIV Smart Adapter. A Filmconvert a7S LUT was applied to all the footage. Although it is not designed