the ACTUAL FIX for your iPhone HDR video in Premiere Pro 2022... YOU HAVE TO DO THIS!

is your iPhone video overexposed and blown out in Adobe Premiere Pro 2022 when you import it?! here is the ACTUAL FIX for all of you iPhone HDR (High Dynamic Range) video, including Cinematic Mode video shot on the iPhone, when editing this footage in Adobe Premiere Pro v22.0 and higher. if you google this issue, people will tell you to just convert this footage to the Color Space, but this DOES NOT actually fix the issue! if you’re editing iPhone HDR video of ANY KIND in Adobe Premiere Pro 2022, you literally HAVE TO DO THIS in order to get your footage to look EXACTLY how it does, unedited on your iPhone. this ensures you take FULL ADVANTAGE of the High Dynamic Range of your HDR video. don’t forget to like & subscribe and share this vid with your friends! PLEASE NOTE! if you’re using older versions of Adobe Premiere Pro, you will still want to use the HDR Conversion LUT! DOWNLOAD THE FREE HDR CONVERSION LUT HERE: BUY MY CINEMATIC MODE PRESETS HERE NOW: Yosemite Series - Light & Shadows Series - Buy BOTH & SAVE! - GET MY LIGHTROOM PRESETS FOR DESKTOP & MOBILE HERE: get access to THE BEST MUSIC FOR YOUR VIDEOS: just $6 a month gives you unlimited track usage and access to an ever-growing library of music, all 100% originally written with filmmakers, videographers, YouTubers & content creators in mind. start a FREE 14 DAY TRIAL with us TODAY! LEARN MORE HERE: MOODS SONGS USED IN THIS VID: intro: ’LOOK GOOD 4 U’ - Good 4 U FOLLOW THE OTHER SOCIAL CHANNELS: my instagram: @bryanadamc moods sound design instagram: @moodssounddesign ali & i’s TikTok: @aliandbryan my wifey’s instagram: @alexiistherese BUSINESS INQUIRIES & COLLABORATIONS: bryanadamc87@ 0:00 - the issue 1:06 - how to fix this issue 2:21 - how to get this LUT 2:35 - my Cinematic Mode Presets 3:36 - outro LINKS TO ALL MY GEAR: cameras: Canon R5 - Canon 5D Mark IV - Canon 1DX Mark II - gimbal: DJI OM 5 Smartphone Gimbal - DJI Ronin-S - lenses: Canon RF 50mm 1.2 - Canon RF 85mm 1.2 - Canon 24mm Mark II - Canon 35mm Mark II - Canon 85mm - Canon 16-35mm Mark III - lighting: Aputure 120D Mark II - Aputure Light Dome II - NANLITE PavoTube 15C 2’ - drone: DJI Mavic Pro 2 - iphone tripod: mic for audio: Sennheiser MKE 600 - Diety S-Mic 2 Shotgun Microphone - Mic Stand - audio interface: Universal Audio Apollo Twin Mark II - mic preamp: Universal Audio Solo/610 Mic Pre - reference monitors and sub: Yamaha HS8 - Yamaha HS8 Subwoofer - room acoustic treatment: Primacoustic Brodaway London 16 Room Kit - music production software: Logic Pro X: love you all and thanks for watching.