An interview with Sigur Rós followed by a live performance of Ný Batterí to a stunned audience. The drum climax is played much heavier and faster than on the album version. The intensity near the end is so immense that we see Jónsi’s knees almost give way at one film, Pop in Reykjavik was released in 1998, a year before the release of Ágætis Byrjun.