Liszt Лист Transcendental Etude Трансцендентальный этюд No 5 Feux Follets Friedheim Rec 1912.

As far as I am aware, this is the first recording of this etude. ARTHUR FRIEDHEIM (1859-1932) was mocked by Busoni because of his platform mannerisms, particularly during Concertos-’He examines his nails“ . . . (etc.) he does seem in fact to have copied Liszt’s mannerisms, but behind all this was a musician. Friedheim was born in St. Petersburg and began serious study at eight; played the Field A major Concerto in public at nine and then studied with Anton Rubinstein. After university he became a th