Rising from the smokestacks of industrial Germany in the late 19th century, as Europe was beginning to grapple with the harrowing realities of conflict and societal upheaval, one artist dared to confront the raw, unvarnished truth of the human condition through his stark, provocative creations. Otto Dix, a master of expressionist and New Objectivity movements, as well as a key figurehead within a style of art that would later be branded by the Nazis as Degenerative art, emerged as a beacon of artistic courage and social commentary in interwar Germany. His works, marked by their visceral intensity, dark satire and uncompromising morbidity, offer profound insights into the depths of human suffering, the fragility of human life, and the complexities of the human psyche.
His artistic journey unfolded against a backdrop of the brutality of World War I, the volatile Weimar Republic, and the rise of fascism. Dix, however, refused to romanticise or sugarcoat these events. Instead, he wielded his brush as a sc
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