Classical Music/ /Reference Recording Scriabin - The Poem of Ecstasy, Op. 54 / Remastered (Century’s recording: Evgeny Mravins

🎯 Загружено автоматически через бота: 🚫 Оригинал видео: 📺 Данное видео принадлежит каналу «Classical Music/ /Reference Recording» (@classicalmusicreference). Оно представлено в нашем сообществе исключительно в информационных, научных, образовательных или культурных целях. Наше сообщество не утверждает никаких прав на данное видео. Пожалуйста, поддержите автора, посетив его оригинальный канал. ✉️ Если у вас есть претензии к авторским правам на данное видео, пожалуйста, свяжитесь с нами по почте support@, и мы немедленно удалим его. 📃 Оригинальное описание: Album available // Scriabin: The Poem of Ecstasy, Op. 54 by Evgeny Mravinsky 🎧 Qobuz Tidal 🎧 Apple Music Deezer 🎧 Amazon Music Spotify 🎧 Youtube Music SoundCloud 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … Alexander Scriabin (1871-1915) Poem of Ecstasy Scriabin: The Poem of Ecstasy, Op. 54 by Evgeny Mravinsky (Remastered 2022) Leningrad Philharmonic Orchstra Conductor: Evgeny Mravinsky Recorded in 1958, at Leningrad New mastering n 2022 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : 🔊 Download CMRR’s recordings in High fidelity audio (QOBUZ) : ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) The ambitious Poem of Ecstasy can be likened to a large sonata form. The first part spreads a great sheet of streaming music, a perpetual vibration of diffuse patterns and flashing timbres. “Pouring out streams of hope / Illuminated again / The spirit burns with the ardor of living“. It begins with a kind of awakening, very impressionistic in its construction; then a scherzando-like passage gives free rein to a magic close to Rimsky-Korsako: “Brilliant reflections / of a magic light / illuminate the Universe“. Shortly thereafter, the only truly individualized motifs appear, a trumpet call, with a conquering profile, and the sighs of the solo violin: it sounds like two faces of desire, the one that undertakes and the one that longs. But it is especially the trumpet leitmotiv that will be reiterated throughout the work, like a “consciousness of the self“ crossing the cosmic quivering: “the Spirit that plays, the Spirit that desires, the all-powerful Spirit, creating while dreaming...“. Suddenly, the electricity of the storms comes to disturb this spiritual blossoming: “ Threatening rhythms and dark presentiments / Brutally invade this charming world / [...] Mouths of frightful monsters open up “. The tightening of the motives, which resembles a development, the darkness of the brass, the deliberate confusion recall many passages of Richard Strauss; the glockenspiel maintains its mystical notes in this fracas, “The lightning of the divine will criss-crosses the sky. A sort of recapitulation brings back the initial flutter, the allegro volando, another battle and the affirmation of the trumpet motif. Towards the end, this main motif, transfigured, “bursts“ into a monstrous chime. The coda, which repeats the motif with a moving melodic breadth, manages to make the final C major chord sound like the most phenomenal event ever. Alexander Scriabin PLAYLIST (reference recordings):