ABBA Voulez Vous Yamaha Genos Roland G70 by Rico

ABBA Voulez Vous Yamaha Genos Roland G70 by Rico Voulez-Vous (pronounced [vule vu]; French for “Do you want?“) is the sixth studio album by the Swedish group ABBA, released on 23 April 1979. It features a number of hits such as “Chiquitita“, “Does Your Mother Know“ and “I Have a Dream“ and showed the group embracing disco music, which was at its peak at the time. The album topped the charts in a number of countries and was one of the top five-selling albums in the UK for that year. It was the first ABBA album to be mainly recorded at Polar Studios in Stockholm, and the only ABBA album to include a studio recording made outside Sweden: the instrumental backing track for the title track was partly recorded at Criteria Studios in Miami. Voulez-Vous was first released on CD in 1984. The album has been digitally remastered and reissued four times; first in 1997, then in 2001 and in 2005 as part of The Complete Studio Recordings box set, and yet again in 2010 for the Voulez-Vous Deluxe Edition. In early 1978, ABBA were at the peak of their success and having just completed promotion for their latest album and theatrical film release, thoughts were turned to the next album, which was planned to be released in time for Christmas. Sessions however proved to be difficult and after starting on 13 March 1978 with the ultimately unreleased track “Dr Claus von Hamlet“, a number of compositions were demoed and rejected. Indeed, after six months, only two songs that would end up on the finished album (“The King Has Lost His Crown“ and “Lovers (Live a Little Longer)“) were completed. During this time the group opened their own recording studio, Polar Studios in Stockholm, which was among the most advanced in the world at the time and would be where ABBA would work from here on. Two songs recorded at this time were “Lovelight“ and “Dream World“. However, neither song would appear on the Voulez-Vous album (“Lovelight“ would be used as the B-side to the single “Chiquitita“, while “Dream World“ would remain unreleased until 1994; both songs are now featured as bonus tracks on re-issues of the Voulez-Vous album). Other tracks started but subsequently scrapped included “Crying Over You“, “Free as a Bumble Bee“, “Rubber Ball Man“ and “Just a Notion“. By September 1978, ABBA had been absent from the charts for some months, and so a song from the recording sessions, “Summer Night City“, was released as a single. Never happy with the finished song, members Benny Andersson and Björn Ulvaeus regretted the release and lamented the fact that it peaked lower than previous singles in the charts, not being released at all in the US. They considered the UK to be their most important market, and there it had ended a run of No. 1 hits by stalling at No. 5 - their smallest hit for three years. A full-length version was however still planned for the upcoming album, but ultimately never used. By this time, tensions were growing within the group due to the low productivity of the period, as member Agnetha Faltskog commented; “I can tell from the look in Björn’s eyes when he gets home how the day’s work has been. Many times the boys have been working for ten hours without coming up with one single note“. Andersson talked to a reporter at the time saying; “The prospects are not good. It’s worse than have no idea when we’ll be finished“. It became obvious that the album wouldn’t be completed by the end of the year and the deadline was extended into 1979. In late 1978, further indication of internal struggles became widely known when it was announced that married couple Ulvaeus and Faltskog were to divorce. Rather than spelling the end for the group however, this freed up a lot of the tensions between the two and in late 1978, work suddenly took off apace for the album. In October, two tracks were completed: “Angeleyes“ and “If It Wasn’t for the Nights“. Although seen as an archetype ABBA track, the former of these was deemed dated by Andersson, labelling it “back to the sixties“. The second track however featured an all-out contemporary vibe, being quite disco-orientated and considered the strongest song that had been recorded for the album. It was intended to be not only the next single but also the song that ABBA would perform at the Music for UNICEF Concert in January 1979. This plan was changed however when an even-better song came along in December. With the original title of “In the Arms of Rosalita“, “Chiquitita“ was the song the band performed. Although rather more schlager in style, Andersson considered it the best of their new songs, despite the feeling that it was very out of style with the rest of the acts performing that night. “It was pretty strange, but we felt it was the best song we had and that’s why we chose it, however wrong it may have been“, he said.