Grace Kelly stunned in Hitchcock’s movies #gracekelly #alfredhitchcock

Rear Window (1954) primarily features thrilling elements, but at its core, it unfolds as a love story between L.B. Jeffries, also known as Jeff (James Stewart), a photojournalist who values his profession and travels above all else, making him hesitant to commit to a relationship, and his spirited girlfriend, Lisa (Grace Kelly), who eagerly desires to marry him. Edith Head, the costume designer, and Grace Kelly had a close working relationship and friendship. In one iconic close-up scene, Lisa is introduced wearing a simple dress to accentuate her beauty. The film uses costumes to establish the characters’ identities and the status of their relationship. As the story progresses, Lisa wears a black silk organza dress when the plot reaches a critical point, symbolizing a shift in her perception by Jeff. She later dons an elegant eau de nil suit, emphasizing her idealized femininity. Lisa’s outfits serve as significant elements of character development, with the wardrobe mirroring the changes in her relationship with Jeff. The climax of the film features Lisa in a print dress, showing her vulnerability and allowing Jeff to realize his true feelings for her. Towards the end of the movie, Lisa sports a casual outfit, hinting at her compatibility with Jeff’s sporty nature. Grace Kelly’s costumes in Rear Window exemplify the stylish and elegant fashion of the 1950s and play a vital role in building the characters and unfolding the story. In any Hitchcock film, you can expect a stunning display of style, from the meticulously designed costumes and sets to the clever use of color symbolism and masterful camera work. Grace Kelly made her debut in a Hitchcock film with “Dial M for Murder“ (1954), delivering one of her finest performances. The entire cast, including lesser-known actors at the time, delivers superbly in this gripping story. The plot of ’Dial M for Murder’ revolves around Tony Wendice (Ray Milland), a financially struggling tennis player, who hatches a plan to murder his wife, Margot (Grace Kelly), to inherit her wealth. Complicating matters is Margot’s affection for a novelist named Mark Halliday (Robert Cummings). Tony blackmails someone with a criminal record (Anthony Dawson) to execute the murder. However, things don’t go exactly as planned, leading to a riveting narrative. Despite being a straightforward adaptation of a stage play, the movie’s confined setting, primarily a living room, is so masterfully crafted that you never feel the need for a change of scenery. This was precisely Hitchcock’s intention, as he wanted to emphasize the theatrical aspects of the film. He deliberately kept the action contained within the space, even going to the extent of using real tiles on the floor to capture the sound of footsteps. The result is a captivating and suspenseful film that keeps you engrossed from start to finish.