The French Clarinet, 19th & 20th Century Music for Clarinet & Piano

This original program of works for clarinet by French romantic composers use the full resources of the innovations brought to the clarinet Composer: Arthur Honegger, Arthur Coquard, André Messager, Claude Debussy, Gabriel Pierné, Henri Rabaud, Jules Semler-Collery, Louis Cahuzac, Paul Pierné, Paul Jeanjean Artists: Aldo Botta (clarinet), Clara Dutto (piano) 🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, YouTube Music): 💎 More Information: 🎬🎮 These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: The developmental stages of the clarinet are marked by repeated interest in improving the instrument at crucial stages in its history, definitively accomplished in an ‘accelerated’ manner during the course of the 19th century thanks to daring projects that led to an extraordinary evolution. Consequently, interest in writing aimed at probing the peculiarities of the instrument was accentuated, with French composers’ attention directed towards exploring the thousands of new expressive and technical possibilities, creating a catalogue of great interest demostrating both the instrumentalists’ mastery as well as musical effects to dazzle listeners. The pieces selected for this album clearly echo that production, originating in the shadow of the Parisian conservatoire and intended to test the potential of young performers while probing the musical languages of the time, whose aesthetics were as varied as ever. Coquard’s Melodie et Scherzetto, from 1904, sprang from the pen as an examination piece, a score in which technical and expressive aspects converge with a highly captivating melodic writing. In Claude Debussy’s Petite pièce, the varied dynamics, combined with the near ‘improvisational’ flow of the rhythmic-melodic material, make the piece fascinating and pleasant to listen to. As is Rabaud’s Solo de Concours , with its surprising texture entrusted to the clarinet right from the start in the form of a solo of considerable complexity. Messager’s own Solo de Concours is rich in captivating chromaticism riven by diatonic segments. Paul Pierné’s score, on the other hand, is an exercise in style, blending ‘rhetorical’ images and ‘French-style’ speculations. His cousin Gabriel’s Canzonetta of 1888 brings forth a sampler of melodies, giving rise to a path of great lyricism. The use of such sonorous imagery is in common with that of Paul Jeanjean, whose Arabesques is imbued with seductive designs aimed at enhancing the potential of the instrument, on which he was an acclaimed virtuoso. Cahuzac belongs to this category, as well, and with his Cantilène he dwells in the soundscapes of his southern France, irradiating it with a Mediterranean luminosity. Cultural belonging is a peculiar characteristic of composers living in the shadow of the Eiffel Tower, as Semler-Collery demonstrates when he pilots his Rêverie et scherzo through the turbulence of early-20th-century French style. Honegger’s choice for his Sonatine has a completely different origin. With its mysterious beginning founded on skillful chromaticism with vague oriental echoes, the subsequent Lent et soutenu reveals a greater rigour in that same sound path, entrusted to the woodwind, austere and mysterious. It is with the Vif et rythmique that the “restlessness” is laid to rest in order to rely on “improvisational” sonorities that wink at agile and impertinent jazz gestures. Tracklist: 00:00:00 Claude Debussy: Petite pièce, ICD 61 00:01:30 Gabriel Pierné: Canzonetta in E-Flat Major, Op. 19 00:05:19 Henri Rabaud: Solo de concours, IHR 7, Op. 10 00:10:59 Jules Semler-Collery: Rêverie et scherzo Arthur Honegger: Sonatine, : 00:17:38 I. Modéré 00:20:19 II. Lent et soutenu 00:22:49 III. Vif et rythmique 00:24:09 Arthur Coquard: Mélodie et scherzetto in B-Flat Major, Op. 68 00:30:26 Paul Pierné: Andante-Scherzo pour clarinette 00:36:46 Louis Cahuzac: Cantilène 00:41:56 Paul Jeanjean: Arabesques in E-flat Major 00:47:20 André Messager: Solo de concours, IAM 28 👉 Social media links: Instagram: Facebook: TikTok: Spotify: Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces by some of the greatest composers. We upload daily with complete albums and compilations with the best classical music. #Clarinet #French #Piano #Debussy #Pierné #Messager #Music #ClassicalMusic #BrilliantClassics
Back to Top